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Intellectual
Property


Australian
Law


section heading icon     the Australian regime

This page provides an indication of the length of protection under Australian copyright law for different categories of works.

It covers -

It supplements the discussion of copyright duration in the Intellectual Property guide elsewhere on this site and the note on Australian law.

section marker     Basic model

Like regimes overseas, the Australian legislation differentiates between the creativity of individual authors and that of organisations. In essence, most protection of content created by individuals is for the author's lifetime plus x years. Content created by government agencies and by organisations, in contrast, is protected for a flat period of x years. Where the duration period is measured by the author's life, that period applies even if the author is not the copyright owner.

The legislation also differentiates between media, irrespective of the seriousness, artistic value or creativity of the particular expression.

Until late 2004 Australia provided a shorter period of protection than the European Union for works of individual authorship and shorter than the US for some collective works (eg films). The copyright provisions of the US Free Trade Agreement Implementation Act 2004 brought protection into line with that of the US.

For most literary, dramatic, musical and artistic works, copyright currently lasts for the life of the "author" plus seventy years after the end of the year in which the author died.

There are however variations for some works (notably photographs, for which protection was formerly independent of the author's life) and owners, for example anonymous works and works commissioned by governments.

section marker     photographs

Photographs are now protected for the photographer's life plus seventy years.

Prior to the FTA a photograph taken before 1 May 1969 was protected for fifty years from the end of the year in which the photo was taken. The term of copyright protection for photographs taken before 1955 has accordingly expired, regardless of whether the author has since died or is still alive.

A photograph taken after 1 May 1969 was protected for fifty years from the end of the year of first publication.

Differentiation from other graphic arts has been argued on the basis that photography is 'mechanical' - one of the more bombastic Canberra bureaucrats opined that "the camera takes the photograph, not the photographer".

Irrespective of human rights concerns, it is difficult to sustain claims that photography is not a true art when prints now have significant commercial value. A print of Joseph-Philibert Girault de Prangey's 1842 Athènes. T.[emple] de J.[upiter] Olympien. pris de l’Est for example went for £565,250 in 2003, comparable with prices highlighted here.

section marker     films

Films & multimedia works made after 1 May 1969 are protected for seventy years from the end of the year of first publication.

Note that protection for a musical score, painting or screenplay used in the film - ie an 'underlying work' - may be for a longer period (ie tied to life plus seventy years).

section marker     engravings

Engravings - as derivative and 'mechanical' art forms - have traditionally enjoyed a shorter period of protection than paintings, sculptures and drawings.

They are generally protected for the author's life plus seventy years if published during the author’s lifetime, and for a flat seventy years from initial publication if first published after the author's death

section marker     anonymous works

Anonymous works are protected for seventy years from the date of first publication.

section marker     unpublished works

What of unpublished literary manuscripts, letters, plays or music scores discovered in your great aunt Hilda's bottom drawer?

Literary, dramatic & musical works (other than computer programs) that were "not published, performed, communicated, recorded and offered for sale" during the author's lifetime are protected for seventy years from the end of the year of first publication, performance or broadcast. If you find an unpublished Shakespeare or Jane Austen text it is in copyright for seventy years after publication, even though the author is long dead.

section marker     works commissioned/owned by government

If a work was made for or first published by a government, or if copyright is owned by a government ('Crown copyright', discussed here), it may have a shorter period of protection. Publications and other copyright works owned by Australian governments are not automatically in the public domain; that contrasts with the US but is consistent with practice in many other countries

Literary, musical and dramatic works (and engravings) made for or first published, by an Australian government, or in which copyright is owned by a government are protected under section 180 of the Act for fifty years from the end of the year of first publication. Sound recordings and films are similarly protected - under section 181 of the Act - for fifty years from the end of the the year of first publication. This contrasts with New Zealand, where some works are protected for one hundred years.

section marker     sound recordings

Sound recordings made before 1 May 1969 are protected for seventy years from the 'making' of the recording.

Sound recordings made after 1 May 1969 are protected for seventy years from the end of the year of first publication of the recording.

That protection is independent of any copyright in underlying works (eg a musical score, protected as a published edition or for the author's life plus seventy years).

section marker     broadcasts

Radio and television broadcasts are protected for fifty years from the end of the year in which the first broadcast took place

section marker     musical, theatrical and other performances

The period of protection is usually twenty years, but sometimes fifty years, from the end of the year in which the performance occurred.

section marker     published editions

Publishers have copyright in the typographical arrangement and layout of a published edition. That is separate to the copyright in works reproduced in the edition (such as poems, illustrations or music).

The protection for the typographical arrangement of a work in a published edition is 25 years from the end of the year of first publication of that edition.





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