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memoirs
This
page considers accounts by forgers.
It covers -
introduction
Autobiographical accounts by forgers are problematical
affairs, given the temptation for the author to exaggerate
his prowess (and claim credit for the work of other people)
or to engage in self-exculpation, denying that they have
behaved badly or claiming that they simply created works
in good faith that were were misrepresented by dealers.
Eric Hebborn's claims are for example criticised in Art
of the Forger (New York: Dodd Mead 1985) by Christopher
Wright.
The accounts are of interest because some - true or otherwise
- are rollicking yarns, told with verve and with insights
into the techniques of concocting a fake or persuading
a buyer that the work is genuine. (Some memoirs indicate
that dealers, including those such as Christies and Sothebys,
take little persuasion.)
Their motivation varies. Some authors appear to have wanted
to have the last laugh. Others seem to have used meoirs
as a way to get money in their old age, having served
time for at least some of the offences.
art
Works by fine art forgers include The Art Forger's
Handbook (New York: Overlook Press 1997) and Drawn
to Trouble: Confessions of a Master Forger (New York:
Random House 1993) by Eric Hebborn, The Fake's Progress
(London: Hutchinson 1977) by Tom Keating & Geraldine
Norman, Affairs of a Painter (London: Faber 1936)
by Icilio Joni, Flag on Devil's Island: The autobiography
of one of the great counterfeiters and art forgers of
modern times (Garden City: Doubleday 1961) by Francis
Lagrange, Electroboy: A Memoir of Mania (New
York: Random 2002) by Andy Behrman, Pour l'amour du
faux (Paris: Hachette 1988) by Réal Lessard,
Incroyable mais faux: Van Gogh, Picasso, Dufy et les
autres, c’est moi! (Paris: éditions
Presses de la Cité 1993) by Jacques Harvey, Trois
Picasso avant le petit déjeuner (Paris: éditions
Robert Laffont 1990) by David Stein and Art Fraud:
Memoirs of a Master Forger (New York: Carnot USA
2004) by Alin Marthouret. Anne-Marie Stein's Three
Picassos Before Breakfast: Memoirs of an Art Forger's
Wife (New York: Hawthorn 1973) is a memoir by the
partner of forger David Stein, producer of fake Chagalls,
Picassos and Derains.
literature
Among memoirs by literary forgers see Lee Israel's Can
You Ever Forgive Me?: Memoirs of a Literary Forger
(New York: Simon & Schuster 2008), an account by a
respected biographer who turned to manufacturing letters
from Noel Coward, Dorothy Parker and other wits.
George Psalmanazaar initially used another persona to
denounce his own work and then wrote memoirs - Memoirs
of ****, Commonly Known by the Name of George Psalmanazar
(London: 1764) - published after his death, confessing
his improbable fraud. Shakespeare forger William Henry
Ireland penned The Confessions of William Henry Ireland,
Containing The Particulars of his Fabrication of the Shakespeare
Manuscripts (London: Thomas Goddard 1805).
official documents
Two works on forgery of official documents are The
Forger: An Extraordinary Story of Survival in Wartime
Berlin (New York: Da Capo Press 2008) by Cioma Schönhaus
and Portrait of a Young Forger (New York: Random
1993) by Marian Pretzel.
money
For Operation Bernhard, highlighted here,
see The Devil’s Workshop by Adolf Burger
and Counterfeiter (Oxford: Osprey 2008) by Moritz
Nachtstern.
Autobiographical accounts by earlier counterfeiters include
George Bidwell's Forging His Chains: The Autobiography
of George Bidwell (Hartford: Scranton & Co 1888).
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