title for Tourism note
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This note highlights literature on tourism as an industry, practice and focus of government attention.

It covers -

It supplements the discussion of the infotainment economy and passport/travel regimes elsewhere on this site.

section marker icon     orientations

Perspectives are offered in History of Tourism: Thomas Cook & the Origins of Leisure Travel (London: Routledge 1998) by Paul Smith, Travel Industry Economics: A Guide for Financial Analysis (Cambridge: Cambridge Uni Press 2001) by Harold Vogel, Making the World Safe for Tourism (New Haven: Yale Uni Press 2001) by Patricia Goldstone, Indigenous Tourism: The commodification and Management of Culture (New York: Elsevier 2005) edited by Chris Ryan & Michelle Aicken, Rupert Christiansen's The Visitors: Culture Shock in Nineteenth-Century Britain (London: Pimlico 2001), Tourism and Politics: Global Frameworks and Local Realities (New York: Elsevier 2007) edited By Peter Burns & Marina Novelli, David Lowenthal's Possessed by the Past: Heritage and the Spoils of History (New York:Free Press 1998), Lynne Withey's Grand Tours and Cook's Tours: A History of Leisure Travel, 1750-1915 (London: Aurum 1998), and Battlefield Tourism: Pilgrimage & the Commemoration of the Great War in Britain, Australia and Canada, 1919-1939 (Oxford: Berg 1998) by David Lloyd.

section marker icon     barriers

Literature on travel restrictions are highlighted in the discussion of passport and visa regimes.

section marker icon     autocracies

Kristin Semmens' Seeing Hitler's Germany: Tourism in the Third Reich (New York: Palgrave 2005), Shelley Baranowski's Strength through Joy: Consumerism and Mass Tourism in the Third Reich (Cambridge: Cambridge Uni Press 2004), D Medina Lasansky's The Renaissance Perfected: Architecture, Spectacle, and Tourism in Fascist Italy (University Park: Pennsylvania State Uni Press 2004), Simonetta Falasca-Zamponi's Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy (Berkeley: Uni of California Press 2000) and Pal Nyiri's Scenic Spots: Chinese Tourism, the State, and Cultural Authority (Seattle: Uni of Washington Press 2006).

section marker icon     high and low culture

Debate about elite and popular taste and consumption features in John Urry's The Tourist Gaze (London: Sage 1990) and Consuming Places (1995), Paul Fussell's waspish Abroad: British Literary Traveling between the Wars (Oxford: Oxford Uni Press 1980), Paul Hollander's Political Pilgrims: Travels of Western Intellectuals to the Soviet Union, China and Cuba 1928-1978 (New York: Oxford Uni Press 1981), Sylvia Margulies' The Pilgrimage to Russia: The Soviet Union and the Treatment of Foreigners, 1924-1937 (Madison: Uni of Wisconsin Press 1968), Susan Barton's Working-Class Organisations and Popular Tourism, 1840-1970 (Manchester: Manchester Uni Press 2005)

section marker icon     management

Points of entry include Tourism & Political Boundaries (New York: Routledge 2001) by Dallen Timothy & Geoffrey Wall,, Being Elsewhere: Tourism, Consumer Culture & Identity in Modern Europe and North America (Ann Arbor: Uni of Michigan Press 2001) edited by Shelley Baranowski & Ellen Furlough, Routes: Travel and Translation in the Late Twentieth Century (Cambridge: Harvard Uni Press 1997) by James Clifford and Across the Lines: Travel, Language, Translation (Cork: Cork Uni Press 2000) by Michael Cronin.

section marker icon     impacts

Regional studies include Katherine Grenier's Tourism and Identity in Scotland, 1770-1914: Creating Caledonia (Aldershot: Ashgate 2005), Richard Starnes' Creating the Land of the Sky: Tourism and Society in Western North Carolina (Tuscaloosa: Uni of Alabama Press 2005), Jim Weeks' Gettysburg: Memory, Market, and an American Shrine (Princeton: Princeton Uni Press 2003).

Fussell's 'Travel, Tourism, and International Understanding' in Thank God for the Atom Bomb and Other Essays (New York: Summit 1988) is provocative.


Destination Culture: Tourism, Museums, and Heritage (Berkeley: Uni of California Press 1998) by Kirschenblatt-Gimblett




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version of November 2006
© Bruce Arnold